Category Archives: Writing Process

Discover your theme… later…

Just sent this to a former student… thought I’d share.

I hope you have not had writing teachers (including me!) who told you to discover your theme and then start writing. The more I do this the more I understand that you have to figure it out along the way. “OH, that’s what I’m writing about…” The guy who wrote THE SIXTH SENSE didn’t know the key fact about his hero until the 6th draft. I assume you’ve seen it, but can’t be sure, so no spoiler.

“For a whole year I worked on The Heart Is a Lonely Hunter without understanding it at all. Each character was talking to a central character, but why, I didn’t know. I’d almost decided that the book was no novel, that I should chop it up into short stories. But I could feel the mutilation in my body when I had that idea, and I was in despair. Suddenly it occurred me that Harry Minowitz, the character all the other characters were talking to, was a different man, a deaf mute, and immediately the name was changed to John Singer. The whole focus of the novel was fixed and I was for the first time committed with my whole soul to The Heart Is a Lonely Hunter.”
Carson McCullers


I did several drafts of my novel before I discovered WHY I was writing it. I taught 13 years before I figured out WHY I was doing it. The deeper reason you do something does not seem, to me, self-evident when you sit down to do it. My father is 90 and I wonder if he’s figured out life yet.

You need to live with the characters and the situation and the story for a while before they begin to gel in your mind and it slowly begins to knit together. I’m sure some people sit down and say, “I’m going to write about XYZ” and then they do, from start to finish. That’s fine. But, what worries me is people who sit down and DON’T know and, for whatever reason, think they are supposed to and that if they don’t know, they’re somehow doing it wrong.

Be not afraid that your method is wrong.
Just jump in.
You’ll figure it out eventually.


Filed under Good Writing, Rewriting, Screenwriting, Writing Process

My novel is here!!

Visit a bookstore near you and get your hands on Mrs. Ravenbach’s Way.
Get your hands on several copies!

About the war between a 4th grade boy and the Lucifer of teachers, it is now in bookstores and Amazon. Published by Regan Arts in New York, it’s darkly hilarious and was the most fun I’ve ever had writing.

Hope you like it. Tell all your your friends! Share on social media!

Take a peek at the book trailer:



Filed under Good Writing, Uncategorized, Writing Process

Work on the big stuff first.

Don’t waste time on sentences if you haven’t fixed your paragraphs. Don’t waste time on the paragraph if you haven’t fixed the page. Worry about big picture first, then the details.

If you spend a monumental amount of time tweaking sentences and then cut the whole scene, you will feel like an idiot.

This is true in editing as well as writing. Get the story structure right, then start worrying about what’s happening in the scenes.

What you don’t want to do, ever, ever, ever, ever, is spend one second on something you’re going to throw away later.


Filed under Details, Rewriting, Scenes, Uncategorized, Writing Process

The Handcuffs Of History

Had a conversation with a student today about a script he wants to write. A short film, that he’ll write in the spring and make in the fall. He was writing about an incident that happened with his father, a chore that his father wanted him to do, never mind the fact that in real life, the chore was very dangerous and part of the conflict came out of the fact that he didn’t want to do the dangerous part… Which means that he won’t be able to film it, because it’s too dangerous!

But, forget that.

The point of this thought, and what I told the student, is that “you are handcuffed by history. Your first, second, and third natural motivation is to reproduce what happened in the past. This is not a good idea. It is not the best way to tell a story.”

What I told him, and what I tell you, is that you need to tell the emotional story, the true story of your emotions… Not blindly reproduce what happened in the past, “just because it happened that way.”

Your job as the writer is to tell the best story you can. Your job as the writer is not to reproduce what happened to you in the past, even if you think what happened was amazing. Your job is to tell the absolute finest and best story about the finest and best characters you can come up with… Not necessarily you and someone else who is also real.

The other thing, among the 1,000 other other things, is that you need to write something that you are going to be terrified to show to the person who was involved. If you are basing something on real life, you want to be so real, so deep into the guts of your own feelings, that if you showed it to the other people who were involved in the real life story, they will want to shoot you.

If you’re operating at that level of personal involvement, that means your story is probably going to be pretty emotionally sound. The funny thing is, the people who are really involved, most of the time, don’t recognize themselves in your story. They just say, “wow, how do you think up your stuff?!”

Reproducing history is dangerous. Going into your soul and ripping your guts out and putting them on the page is an excellent way to approach a story.

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Filed under Good Writing, Screenwriting, Uncategorized, Writing Process

You gotta want it. A lotty lot.

Figuring out a way to wrench out time to write, especially after working all the livelong day at your horridly painful job, is excruciatingly difficult. Especially if you’ve never had any real success writing. You have to maneuver forward as best you can, trying to convince yourself that this is a good idea. Brutally difficult at best, writing is physically debilitating, emotionally draining, and a big fat waste of time… at worst.

However, I do not believe in the worst. Especially the “waste of time” part. You’re always learning, always improving. If only by dull banging-your-head-against-the-wall repetition, you get better. It’s never a waste of time.

Writing is so vague and semi-invisible, it’s hard to make yourself do it when all you have is the little voice inside telling you you should do it. Doing battle against naysayers, like a spouse, or friends or false friends, or the evil little voice inside that soothes, “this is never going to work. Why don’t you just go to bed at a normal time?” Defeating the voices around you and defeating the one inside yourself is, in a lot of ways, more difficult than writing. When you have so many other forces tugging at you, just sitting down to write can be the hardest thing.

Well, solving the puzzle that is the incredible mess you made of the project you’re working on is more difficult than sitting down to write. Hell, all of it’s difficult.

However! When it is moving forward, nicely, at a good clip, and you feel like you’re not the biggest idiot in the world, writing feels pretty good. That’s the best you can hope for — to feel pretty good a reasonable percentage of the time.

Get in a writing group. Find like-minded people. Get some encouragement. Try to get far away from people who make you feel bad about yourself for doing what you’re doing.

To rip a “writing hour” a day out of your 24 hour day is critical, and savagely difficult. Two hours a day would be a miracle.

“I still have vivid recollections of putting in day after day of trying a case in front of a jury, which is one of the most exhausting activities I know about, dashing up to the law library after court had adjourned to spend three or four hours looking up law points with which I could trap my adversary the next day, then going home, grabbing a glass of milk with an egg in it, dashing upstairs to my study, ripping the cover off my typewriter, noticing it was 11:30 p.m. and settling down with grim determination to get a plot for a story. Along about 3:00 in the morning I would have completed my daily stint of a 4,000-word minimum and would crawl into bed.”

Erle Stanley Gardner (whose Perry Mason novels have sold 300 million copies)

You’ve got to be like Erle Stanley Gardner. You have to really, really want it.

Wanting it “a lot” is not going to be enough. To make screenwriting or any other artistic medium actually happen, you have to want it like a drowning man clawing for the surface so he can get a lungful of oxygen and not die.


Filed under Good Writing, Rewriting, Screenwriting, Writing Process

What’s up?! My talk on Beating Writers Block…

Been out of the country. Took students to London and Paris to make films. They made ’em. We came back. Didn’t lose a one!

On the 20th of June, I’m giving a conference call talk on Beating Writers Block. It’s at 10:25 a.m. Pacific time. And, it’s free. Sign up now…

Working on a screenplay, which is different, I must say, than working on student homework. I can maybe sell the screenplay. Never found much of a market for used student homework, sad to say.
Working on the sequel to my children’s book. Or my novel for grownups. We’ll find out what it is when the book actually comes out in March. The first book is about the hero’s battle with his 5th grade homeroom teacher. The sequel is about his battle with his baseball coach.
Researching baseball, about which I know next to nothing. A long uphill event, that’s for sure.

Reading Cheryl Klein’s superb book on writing: Second Sight. It’s about children’s books, but boy oh boy does she understand story. You might find it helpful in your writing.

Dying to see MAD MAX. Have you seen it? What did you think?
I adored THE WOMAN IN GOLD. Best film I’ve seen in a long, long time.

And, finally, have discovered wonderful author of witty English books: Barbara Pym. What a delight!

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Filed under Good Writing, Screenwriting, Writing Process

Dragon Dictate… voice recognition is finally here.

The word a day for today is “amanuensis.” I’ve been pronouncing it wrong for a long time. But anyway.

That’s a person employed to take dictation or copy manuscripts, something mere mortals generally can’t afford.

Now you can have one of your very own, for a one time payment.

My answer to every writer’s problem…

Dragon Dictate voice recognition software.
I dictate in the car and on the treadmill. Makes car journeys go faster and makes the treadmill, which I loathe, fly by. Sometimes, I do it sitting in my office… just talking.
And it cranks out pages as fast as you can talk. Very useful for brainstorming.
It’s REALLY good and barely makes any mistakes.

Cleaning it up doesn’t take a lot of time, and reinforces what you wrote, anyway.

You have to put the punctuation in while you talk. “Comma” “Period” “New Paragraph” and that is fairly easy to get used to. I’ve written two books via dictation and Dragon Dictate makes having an assistant no longer crucial.

My thought for the morning.


Filed under Good Writing, Screenwriting, Uncategorized, Writing Process